Portland Oregon

Free Wood, Portland Oregon
Digital- 2015

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The Catch of the Century; Marilyn Propp

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I slipped a roll of film into the camera, loaded the leader onto the spool, and clicked the camera back shut. Then, I called my dog Zack to hop into the VW bus. We were going to San Francisco. I rarely went to San Francisco to photograph, but the day seemed as good as any other, so north to the city we went. The bus rolled to a stop on an unfamiliar street in the city. Zack waited while I got out and wandered around, taking photos of kids, trees, and city detritus. I remember the sky being bright but overcast, as it often was.  As I looked around at all the possibilities, a young woman rode by on her bike. Swoosh—she was gone in an instant. I didn’t think much of it at the time, and then returned to the bus to drive to a different area. Zack, it turned out, loved going for rides in the bus. In fact, when I left him at home for any length of time, he would howl and tear things up.  A few blocks later, I parked and got out to explore. Once again, the same woman zipped by, her h...
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"In Gridvill e mind-numbing complex systems struggle to regulate and maintain order in a cyber-optic spider web where lust and greed are lynchpins for celebrity obsessed, creature comfort driven, image-conscious consumers." V. Quatroche, 2005 "Notations from Gridville, 3-17" planographic transfer, 14" X 24" on paper This new notation from Gridville, is a  first in a series of images constructed and grabbed through an image generator, a playground.  A fitting way to create images which are a synthesis of momentary notations; a compilation of photographs, drawings, and miscellany amassed over time. Welcome to Gridville.
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