Lost Nuts and Found Bolts

After the Flood Digital Proof c.2018 Mechanical Abstraction Digital Proof c.2018

Last night I was working on MAX and was trying to bring sound into the program, in this particular case, it was Brian Eno's "Reflection" Eno's music influenced the color, tone, and contrast of the images being generated, they changed and morphed as expected, but this image was the surprise. If I can be present at more moments such as this one, then I will be getting somewhere.  Water, 2018

For your own protection, Notation from Gridville Digital Proof, 22" X 30"  2018

"A Warning, the Darkness Gathers, Notation from Gridville" Digital Proof, 2018 "Stand Behind the Yellow Lane, Notation from Gridville" Digital Proof, 2018 "Notation From Gridville, Self" Digital Proof, 2018

"We are all Immigrants #1, Notation from Gridville, 2018 digital proof-   "We are all Immigrants #2, Notation from Gridville, 2018 digital proof-   "We are all Immigrants #4, Notation from Gridville, 2018 digital proof- W/Acknowledgement to Robert Frank All images are captured through MAX/MSP/JITTER.  Converted to CMYK separations- hand printed via paper plate lithography,Hand colored, mounted on canvas  For more about Gridville  https://rubbereden.com/

I think of my friend Vincent Quatroche, a voice in the wilderness of Gridville, disguised to pass as a sleepwalker, yet noticing every moment, every nuance of tone, taking notes chronicling time's movement and speaking out.  These images remind me of Vincent and his palette of words, and of his time  in  Gridville . "We are all Immigrants #3" Digital Proof 6-2018 "The Ledge, Notations From Gridville" Digital Proof 6-2018

Working with MAX MSP modifies the patch and was surprised by some new images. "Number Please, Notation from Gridville" Digital Proof 6/2018 "Passing Time, Notation From Gridville" Digital Proof, with a little help from Robert Frank 6/2018  "Casting Shadows, Notations Form Gridville" Digital Proof, with a little help from Robert Frank 6/2018